1685-1752 Italian Jacopo Amigoni Galleries He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.  Related Paintings of Jacopo Amigoni :. | Portrait of Marquis of Ensenada | Portrait of Marquis of Ensenada | Marquis of Ensenada | Juno Receives the Head of Argus | Portrait of Caroline Wilhelmina of Brandenburg-Ansbach |
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Xanthus Russell Smith
Marine, landscape, portrait, and historical painter. American , 1839-1929 was an American artist best known for his illustrations of the American Civil War. Born in Philadelphia, Smith served in the United States Navy during the war and depicted naval battles with a variety of media, including pencil and oil paint. His best known work (right) recreates the 1864 battle between the CSS Alabama and USS Kearsarge off Cherbourg, France. Smith did not actually participate in most of the battles he illustrated; instead, he generally consulted those who were present at the engagements.
Francois Louis Francais
Plombieres 1814 - Paris 1897. was born at Plombi??res-les-bains (Vosges), and, on attaining the age of fifteen, was placed as office-boy with a bookseller. After a few years of hard struggle, during which he made a precarious living by drawing on stone and designing woodcut vignettes for book illustration, he studied painting under Gigoux, and subsequently under Corot, whose influence remained decisive upon Français's style of landscape painting. He generally found his subjects in the neighbourhood of Paris, and though he never rivalled his master in lightness of touch and in the lyric poetry which is the principal charm of Corot's work, he is still counted among the leading landscape painters of his country and period. He exhibited first at the Paris Salon in 1837 and was elected to the Academie des Beaux-Arts in 1890. Comparatively few of his pictures are to be found in public galleries, but his painting of "An Italian Sunset" is at the Luxembourg Museum in Paris. Other works of importance are "Daphnis et Chloë" (1872),
Henry Walton
British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family